Lick My Pick #7



Please pardon the quality of this video as I did not record it with the usual set up. I was playing my old Ibanez RG470 through a tiny Fender Frontman practice amp. The RG really feels like a shred guitar and I feel I'm playing a little better already. The reach for the upper register is a lot easier due to its deeper cutaway and the 24 fret neck.

I've always admired how Paul Gilbert incorporates different techniques into his licks and playing, making the licks come alive with great melody. This lick incorporates hammer-ons, pull-offs, tapping and slides. The best part is I don't even need a pick for it! If you're a Paul Gilbert or Mr. Big fan, you'd know that this lick is inspire by their song, Green Tinted Sixties Mind.

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--t12--p7--p5--h7--t12--s14--s12--p7--p5--h7--t12--7b9--(t12)-----
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t = tap
p = pull-off
h = hammer-on
s = slide

Okay, I hope the video, the tab and my explanation will do this lick some justice. The letters in front of the numbers indicate whether it is a tap, pull-off, hammer-on or slide into the notes.

You can either tap with your index finger or your middle finger. Whichever works best. If I play this lick with a pick already in my hand, I would use my middle finger to tap the notes.

I think the first note is pretty straight forward. I tap it and then move on to do standard pull-offs and hammer-ons with my left hand. The only bit that is different here would be the sliding done with the tapping finger from 12 to 14 and back to 12, as you can see in the video.

The other bit that is difficult to describe in tab form as my tabbing skills are limited, (Az, care to correct me here?) is the last note where I tap 12th fret. While holding down the 12th fret with my tapping finger, I bend the 7th fret towards the 9th fret. An alternative to this would be to simply slide the 12th fret to the 14th with my tapping finger but I think by doing it this way, it creates a bit of tension. It was really fun playing this lick! Enjoy!



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All Broken Scar's music is available on www.reverbnation.com/brokenscar

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VCD Grew A Pair Of Legs

I was looking for my Paul Gilbert instructional video that I had at home and after turning the place inside out, it looks like it's gone missing. I might have to buy another copy on DVD this time around as the old copy I had was on VCD. I mean, who watches VCDs anymore these days?

Thinking of guitars and music, I just wished I had a teleport machine of some sort so I can teleport myself back to Melbourne on Thursday to be at The Limelight at Miss Libertine. It's such a massive line up! I mean there's Kieran Christopherson, Next Dimension, Shafro, Jakk's Azimuth, The Vulpine, Low Speed Bus Chase, Asami and Tim McMillan! The line up is just too good to miss out on. Wish I was there!

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All Broken Scar's music is available on www.reverbnation.com/brokenscar

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Lick My Pick #6

Since I've hurt my arm over the weekend from too much mixing, I decided to go easy on my playing and do a small easy lick instead. I don't think this is very Paul Gilbert sounding and I think it's more John Mayer inspired. It's a little more bluesy and I use it a lot to connect licks. It's also pretty cool to cycle these notes and play each note in this lick in different patterns to get really cool sounds. Explore and have fun with it!



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----------------------12h14~p12------------------------------------------
----------9h11s13-----------------13s11~---------------------------------
--9h11---------------------------------------------------------------------
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h = hammer on
p = pull off
s = slide
~ = sustain

The video and the tab should explain it all. I played it on the neck pickup, just to give it that fat and warm tone to create a fluid and easy flowing sound.

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All Broken Scar's music is available on www.reverbnation.com/brokenscar

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Lick My Pick #5


This lick is really cool because you don't need to play super fast to achieve a cool sound. Picking the notes on their own may not sound like much, as you can see in the first part of the video but turn on the delay and it brings this lick to life. The delays actually make it sound like you're playing really fast. The catch though is that you need to play very consistently in time so that the picked notes don't clash with the delayed notes.

Paul Gilbert calls the repeats caused by the delay effect the dotted 8th notes because you are playing the line in 8's and the delayed notes fill the gaps. I guess the best way to understand this whole concept is to watch a video of the man himself explaining it. Check it out!



This is my version in the key of C#m.



-----------------------------11----------12-------------------------------
------------------9---12----------12--------------------------------------
--------9---11-------------------------------------------------------------
--11-----------------------------------------------------------------------
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There are so many creative ways of using the delay effect and this is just one of them. In this exercise, I used my Marshall Echohead, set to Hi Fi mode (digital delay) and the the repeat function is set to just do one repeat. Similar to what Paul Gilbert did in his video. It's funny how I never knew how to really use a delay pedal until now. Usually, I would just use the tap function on the pedal and tap in the temp of a song I'm playing, set it to have about 40% repeats and at half the volume of the original notes. More on delays in the future.

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All Broken Scar's music is available on www.reverbnation.com/brokenscar

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Lick My Pick #4





Here's lick #4,
in the key of C#m. This is a slightly longer lick I've been working on and as you can see, it is very Paul Gilbert-inspired. There's lots of hammer-ons and pull-offs in there that makes the lick sound really smooth, as if the notes stick together. Of course, it works great too if you pick all the notes individually. I've seen lots of guitarist pick through their licks accurately with lightning speed and that is pretty impressive.

-----------------------------------------------------
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--------------------------9h10p9-------9h10h12------------------------------------
--8h9p8-------8h9h11------------11------------------------------------------------
-----------11-------------------------------------------------------------------------
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--9h11p9-------9--11--12--11--12--14--12--14--16--
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------------12------------------------------------------------------------------------
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h = Hammer-on
p = Pull-off


I guess the tab is quite self explanatory. Again, I used directional picking for this lick. I find this lick really challenges me to play it as cleanly as possible, muting the unplayed strings with my palm and not hitting unwanted strings as I go up the frets.

This lick doesn't use the pinky too much, but just enough for me to work out the coordination between all four fingers. My pinky has always been the weakest finger and after my volleyball injury, it actually became worse. However, the more I practice and use my pinky, the more it regains strength.

I think this lick sounds really cool too as it evokes a feeling of running from one place to another, with a sense of purpose and direction. It feels like running the last 10 metres in a 100m race to me.


This version in the video is played with a slightly different feel. Notice the last few notes of the lick on the 1st string are picked in staccato making it a little more tense, I reckon. There are always options and this is one of them.

Enjoy!

______________________________________________________
All Broken Scar's music is available on www.reverbnation.com/brokenscar

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    Loves Jesus. Singer. Guitarist. Songwriter. Audio Engineer. Producer. Wears band t-shirts. Wears red t-shirts. Based in Melbourne.



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